In the wake of Marais’ Ariane et Bacchus (2022) and Charpentier’s Médée (2023), this little known Iphigénie en Tauride is now being resuscitated. Long before Gluck’s better known version, Iphigénie en Tauride was started by Desmarest, completed by Campra and first performed in 1704. It became a staple in the repertoire of the Académie Royale de Musique and at the royal court. Its sparing use of resources and convincing plot enhance the libretto. The music is a reflection of Desmarest’s consummate art and Campra’s skilful blending of their personal styles. The work is understated yet highly dramatic and it is no surprise that it was an unprecedented success on stage right up until the 1760’s. With this new production, served by an impressive cast and starring Véronique Gens, Hervé Niquet pursues his experimental work with the orchestra and choir of the Académie Royale de Musique and its specific formations and interpreting techniques.